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Editorial Reviews
Amazon.com Review
Amazon Best Books of the Month, November 2012: You half expect a new collection of stories by the beloved Alice Munro to arrive already devoured: pages dog-eared (“I feel exactly the same way! How did she know?”), spine cracked, cover bent from the dozens of times each story deserves to be read. The best thing to say about Alice Munro is said so often, it doesn’t mean much anymore. But here it is for the record: She is a master of her craft. In Dear Life, her 13th collection, Munro again breathes life--real, blemished, nuanced life--into her characters and settings (usually her hometown in Huron County, Ontario). Her empathy is the greatest weapon in her arsenal, and it is on full display here. But the most satisfying part of the new collection is the last four stories, bundled together in what the author calls “Finale,” the closest she’ll ever come to writing about her own dear life. --Alexandra Foster --This text refers to the Hardcover edition.
From Booklist
*Starred Review* Munro’s latest collection brings to mind the expression, “What is old is new again.” As curiously trite and hardly complimentary as that statement may sound, it is offered as unreserved praise for the continued wonderment provided by arguably the best short-story writer in English today. Some of these 14 stories present new directions in Munro’s exploration of her well-recognized universe (rural and small-town Ontario), while other stories track more familiar paths, with characters and familial situations reminiscent of previous stories. That said, the truth is that on whatever level of reader familiarity Munro is working, in every story she finds new ways to make the lives of ordinary people compelling. “Amundsen” has a setting that will pique the interest of avid Munro followers, yet it is delivered with a tone surprising and even disturbing. A young woman ventures to a remote area to assume teaching duties in a TB sanitarium, soon entering into a dismal relationship with the head doctor. But with Munro’s care in craftsmanship and her trademark limpid, resonant style, the reader accepts that the depressing aftereffect is Munro’s intention. “Haven” will come to be considered one of her masterpieces: a quick-to-maturation piece, a fond specialty of Munro’s, this one is about a teenage girl going to live with her aunt and uncle while her parents do missionary work. In quite dramatic fashion, she observes that what might appear as somone’s acceptance of another person’s quirks may actually be indifference. HIGH-DEMAND BACKSTORY: A first printing of 100,000 copies supports Munro’s international popularity. --Brad Hooper --This text refers to the Hardcover edition.
See all Editorial Reviews
Amazon Best Books of the Month, November 2012: You half expect a new collection of stories by the beloved Alice Munro to arrive already devoured: pages dog-eared (“I feel exactly the same way! How did she know?”), spine cracked, cover bent from the dozens of times each story deserves to be read. The best thing to say about Alice Munro is said so often, it doesn’t mean much anymore. But here it is for the record: She is a master of her craft. In Dear Life, her 13th collection, Munro again breathes life--real, blemished, nuanced life--into her characters and settings (usually her hometown in Huron County, Ontario). Her empathy is the greatest weapon in her arsenal, and it is on full display here. But the most satisfying part of the new collection is the last four stories, bundled together in what the author calls “Finale,” the closest she’ll ever come to writing about her own dear life. --Alexandra Foster --This text refers to the Hardcover edition.
*Starred Review* Munro’s latest collection brings to mind the expression, “What is old is new again.” As curiously trite and hardly complimentary as that statement may sound, it is offered as unreserved praise for the continued wonderment provided by arguably the best short-story writer in English today. Some of these 14 stories present new directions in Munro’s exploration of her well-recognized universe (rural and small-town Ontario), while other stories track more familiar paths, with characters and familial situations reminiscent of previous stories. That said, the truth is that on whatever level of reader familiarity Munro is working, in every story she finds new ways to make the lives of ordinary people compelling. “Amundsen” has a setting that will pique the interest of avid Munro followers, yet it is delivered with a tone surprising and even disturbing. A young woman ventures to a remote area to assume teaching duties in a TB sanitarium, soon entering into a dismal relationship with the head doctor. But with Munro’s care in craftsmanship and her trademark limpid, resonant style, the reader accepts that the depressing aftereffect is Munro’s intention. “Haven” will come to be considered one of her masterpieces: a quick-to-maturation piece, a fond specialty of Munro’s, this one is about a teenage girl going to live with her aunt and uncle while her parents do missionary work. In quite dramatic fashion, she observes that what might appear as somone’s acceptance of another person’s quirks may actually be indifference. HIGH-DEMAND BACKSTORY: A first printing of 100,000 copies supports Munro’s international popularity. --Brad Hooper --This text refers to the Hardcover edition.
